Returns measured evidence about a recording, not a verdict on it. The spectral cut-off says which lossy stages the file has already been through, since every encoder discards everything above its own ceiling. The room tone measurement compares the noise floor across the silent stretches: a microphone in a room produces a floor that differs between pauses, and a level identical to the hundredth of a decibel across every pause means the silence was inserted rather than recorded.

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